How to identify a musical ear

Musical hearing is a person’s unique ability to perceive the absolute and relative pitch of a sound, as well as the timbre of its source and other characteristics. In some cases, musicians who have poor speech skills (do not distinguish words that are too quiet) can perfectly identify the sounding stage and can repeat it. Any musician can determine the presence of musical hearing in a particular person.

Instruction manual

one

The first rule of musical pedagogy is: there are no people without musical hearing. But there are people in whom hearing and voice are not coordinated. In other words, a musician differs from a layman in his ability not only to determine the pitch, but also to repeat the sound. However, as a natural deposit, this ability is also observed in people who are far from music.

2

Ask a friend to play a few notes at random. Repeat each of them as accurately as possible. It is not necessary to call notes - the exact intonation already indicates a lot.

If you could not repeat a single sound, do not despair, there are two explanations. Firstly, the musician could play in an uncomfortable tessitura for you. Surprisingly, a person without musical experience does not define sounds well beyond his vocal abilities. Too high or too low a sound you cannot sing even an octave higher or lower - this requires a special skill.

3

If a musician played sounds within your range, but you could not reproduce them, you should not despair either. You have a musical ear, but not yet coordinated with your voice. The problem is solved through special exercises.

The presence of developed musical ear at the beginning of classes is a useful bonus, but not a prerequisite.

4

The ability to determine not only pitch, but also the musical notation of sound is associated with the presence of so-called absolute hearing. The musician is not required to possess this ability, but there are two points of view on the question of who can develop this rumor.

Possessing absolute musical hearing is to some extent more difficult than less hearing colleagues: where an ordinary musician hears a full-fledged chord of one color or another, there the “absolute” sees only a set of unrelated sounds. Only after a few solfeggio classes do musical tones gain systematization and orderliness in the musician’s eyes and ears.

5

According to the first point of view, absolute musical ear is peculiar to units of musicians. Only a few can, having heard the sound, say: "this is up, and this is mi." The rest can only strive for excellence.

Other musicians, including practicing educators, insist that any person can develop an absolute ear, would be a desire.

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